John Di Lorenzo

Sunday, December 5, 2010

Inanimate Hours- acrylic on paper 22"x30" 2010

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Meat Locker- oil on canvas 54"x70" 2008

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Viscera- oil on canvas 24"x24" 2008

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Wednesday, December 1, 2010

Basement- oil on linen 46"x38" 2010

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Monday, November 29, 2010

The Immaculate Exorcism- oil on linen, 37"x41" 2010

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The Immaculate Exorcism (detail)

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Sunday, October 31, 2010

Night Drive 47"x56" oil on linen, 2009

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Monday, October 25, 2010

SOLO EXHIBITION (enlarge for details)

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Monday, October 11, 2010

Inside- oil on canvas 24"x24" 2008-09

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Upstairs- oil on canvas 56"x64" 2008

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Silent Suburb- acrylic on paper 22"x30" 2010

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Reagan- oil on canvas 50"x56" 2009

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Sunday, October 10, 2010

The Mirror at Four AM- oil on canvas 60"x70" 2008-09

Posted by John Di Lorenzo at 11:36 AM No comments:
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New Red World- oil on canvas 24"x28" 2009

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The Magic Garden- oil on canvas 50"x56" 2009

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Blue Room- oil on canvas 50"x68" 2008

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The Wake- oil on canvas 29"x55" 2010

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Blog Archive

  • ►  2011 (14)
    • ►  August (4)
    • ►  July (1)
    • ►  June (1)
    • ►  May (2)
    • ►  April (2)
    • ►  March (4)
  • ▼  2010 (17)
    • ▼  December (4)
      • Inanimate Hours- acrylic on paper 22"x30" 2010
      • Meat Locker- oil on canvas 54"x70" 2008
      • Viscera- oil on canvas 24"x24" 2008
      • Basement- oil on linen 46"x38" 2010
    • ►  November (2)
      • The Immaculate Exorcism- oil on linen, 37"x41" 2010
      • The Immaculate Exorcism (detail)
    • ►  October (11)
      • Night Drive 47"x56" oil on linen, 2009
      • SOLO EXHIBITION (enlarge for details)
      • Inside- oil on canvas 24"x24" 2008-09
      • Upstairs- oil on canvas 56"x64" 2008
      • Silent Suburb- acrylic on paper 22"x30" 2010
      • Reagan- oil on canvas 50"x56" 2009
      • The Mirror at Four AM- oil on canvas 60"x70" 2008-09
      • New Red World- oil on canvas 24"x28" 2009
      • The Magic Garden- oil on canvas 50"x56" 2009
      • Blue Room- oil on canvas 50"x68" 2008
      • The Wake- oil on canvas 29"x55" 2010

Statement

John Di Lorenzo
The focus of my work is what I consider to be the mythological aspect of my own memories. I believe that memory is something that cannot be fully trusted. Therefore, my process likens to an adventure through a dark, primordial space where the truth is unfixed. In essence, I paint the "shadows" of a life lived, rather than the recollection of concrete experience. The techniques I employ as a painter stem from a myriad of influences, including painting from the Baroque period, and some examples of postwar twentieth century painting as well. Illustrations from books I read as a child, images from television and examples of vintage rock album cover art also merge into the formal aspects of my work, reflecting some elements of the popular culture I encountered as a child and ways in which these images were processed in my mind. Although I see my work as being open-ended in terms of a message, I consciously work to create images that are embedded with the same sense of power I experience in confronting the sublime, both in memory and present-day life.
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